Deathrise

Well, I've been working on a story for about 6 months now. I feel that I need some place to encourage me to keep on going. *ducks incoming firebots*

So, this is the first chapter that I've written on this short story Deathrise.
Aaron shifted uncomfortably in his chair, while Mr. Skylo taught history to the class. Today was a day too good to be true. The essay due today was moved to next week due too the timely absence of his language teacher, and the choir practice was beautiful. But he had gone through these days before. Something has to go wrong…

His eyes flickered towards the window. A lone figure was standing on the rooftop, wearing full black. In his hands, he held…an AK-47? The man turned, and saw me looking at him. Raising his gun, he took aim...


“DUCK AND COVER!” A voice that was not his broke the silence. At this, everybody screamed and ran around like turkeys on Thanksgiving. Aaron dove for the floor, just as a bullet zinged by his head.


At that moment, another stranger stepped through the doorway. Hitching his rifle on his shoulder, he rumbled in a deep voice: “Listen up, sissies. There’s no need to panic.” Regardless of that, the chaos continued. He sighed, and pulled out his pistol and fired three shots. The class
immediately calmed down.


“Heh, this was easier than I thought.” He plopped down on Mr. Skylo’s chair. “Here’s the deal. You tykes hand over your money and valuables,” At this, he grinned. “Or, you all get killed off one-by-one” He fired his pistol with each syllable. “Now line up.” A line of students slowly walked out of their seats. Trembling, they dropped off their items onto the desk like piles of homework. The man stood up and prodded one of the items, and coolly raised his gun and shot in the general direction of the owner. She keeled over in shock. “That’s not valuable, now is it?” She responded by dumping her bracelet on the desk, and fainted.


Aaron watched this happen, and, since he didn’t hear anyone screaming
in the other classes, that they must be held captive, or...

They could be dead.


Looking around nervously, he took his cell phone out of his pocket, and

dialed 911 under his desk.


“Operator, can I help you?”


Aaron stammered, “Um, yeah. I’d like to…to report an invasion of the school
High Charity by several um…armed hostiles.” The phone was silent for a few moments, and a gruff voice took over.


“Where is High Charity located, son?”


“3269, St. John Avenue.”


“How many gunmen do you see?"


Aaron looked around. He saw four gunmen waving rifles and smoking.


“In one classroom? Around four."


Silence. Then…


“Police will be there shortly. Hang on tight, and whatever you do, don’t let

them catch you with your phone!”


A dial tone went off in the speaker, and Aaron knew that the chief had

answered, and hung up.


He looked up to see a man pointing a pistol right at his face.
“Empty your
pockets.”


“What!?”


“Empty your pockets, or take a face-full of lead.”


“I gave you all of my valuables!”


The man cocked his pistol. “Your loss.”


Aaron paled, and proceeded to empty all of his pockets. A metal puzzle hit
the floor. A pencil clattered on the desk. And, filled with dread, he hoisted his cell phone by the chain, and put it on the desk.


The man walked over, and smashed the phone to plastic shards with the butt of his pistol. Then, he looked up at Aaron. “Did you tell them anything?”


Aaron muttered, “No…”


The man hefted his pistol. “Too bad.”


A silence descended upon the room. No one spoke, not even the leader,
who was busy watching his goons dump all of the items into a duffel bag.

Both teenager and man stared at each other, waiting for them to make a move.


The man’s hand twitched.


Aaron made to jump, but the gunman was too quick. Raising his pistol, he
fired two shots. One narrowly missed Aaron’s head; the other went straight through his right lung.


Aaron landed with a thump on the floor. He looked down and saw a blood
rose bleeding on his chest. His knees gave way, and he fell.


He never felt the ground.


______________________________________________________________________________________________________________________________________________________

Harry looked at the scene unfold. Aaron was shot, and as he fell, he gave a
sad smile at the crowd, one that said: “Did it have to end this way?"


Movements near the door. Harry looked out of the corner of his eye. A man
holding a black pistol and a badge was motioning towards him, telling him to stay quiet. Harry quickly looked away.


With a blam, the door flew open. SWAT members rushed through the doors, apprehending the criminals. The police chief walked over to the body on the floor. He motioned for a medic to check. While the medic busied herself, he sighed and asked Harry. “Was this the young man who called 911?” Harry nodded. After a quick look at the medic, he took off his hat, and sighed
again.


“You’ve lost a great hero today, class. He’s dead.”


______________________________________________________________________________________________________________________________________________________

Aaron woke in a dark red room. He looked around, and peered at the
opposite side. An old man, hair bleached with white, was smiling warmly at him. Aaron, uncertain that his mouth would work, looked around the room.


The old man spoke. “Your mouth should work fine.”


Aaron, blushing in embarrassment, asked the old man: “Where am I?”


“I’ve spent plenty of years to figure that out. But, I believe that this is
the threshold…” He paused for dramatic effect. “The threshold between life and death.”

“And what fate have you brought upon yourself to get here?”


“I should be asking you that, shouldn’t I?”


Aaron hesitated, and spoke: “I got here, I guess, because I got shot
trying to save my classmates from a horrible fate.”

The old man grinned. “Just wanted to make sure.”


“Of what?”


“I knew you’d come someday. You see…I am you.”


Aaron gaped in amazement, shocked. Looking closely, he could still see
streaks of blonde through the snow-white hair, the aquamarine eyes, and the fierce confidence that emanated from the man. But along with that aura, he sensed wisdom and logic as well.

“Of course, you have your own choice to make. Should you choose to go
on; the door on your right will lead you to the Judgment Room.” Aaron looked, and stared at the black wooden door. “Should you choose to return to real life however…the door on your left will take you back to the real world, but not without severe consequences. The world may have changed greatly since you have left.” The old man smiled sadly. “That is what has kept me here in this very room for as long as I can remember. But, as they
say: Don’t linger in the
past.”

Aaron thought for a moment, and asked the old man. “How do you know
all this?"

“I’ve seen people pass through here twice, or more. I asked some
questions…”

Aaron looked at the frosted glass door to his left, and the black door to
his right. He sighed. I have too much to live for, at the age of thirteen. Going to the Judgment Room this point in life, I must certainly end up in purgatory. He looked around for a few minutes. That is, if there IS purgatory.Aaron took a deep breath, and without releasing it, he reached for the frosted glass door, and pushed. It didn’t budge.

Aaron whirled around and glared at his older self. The old man sighed, and said:"It opens the other way." Aaron flushed briefly, and pulled.
 
um, I kinda liked it. I'm not very picky in this sort of thing though! If you want people to tell you how good your writing is, you should pm Dr. Heartbreak and/or TheSpinner, they know about writing. But as I've said before, it was good. It left me curious enough to read the rest. Keep it going.
 
I'll try and point some things out, but if you really want a serious review, you should probably go to a editor of some sort. I'll italicize the parts you wrote.


-I'm not sure what kind of mood/emotion you're trying to bring out in the reader. However, for such a serious story (as far as I can tell) several analogies seem out of place.

At this, everybody screamed and ran around like turkeys on Thanksgiving.

Trembling, they dropped off their items onto the desk like piles of homework.


These are fairly humorous analogies. Unless your purposely trying to contrast the overall dark mood of the story with these two comparisons, you should replace them with something more appropriate. Breaking the mood that you have set is not a good idea, unless it is done with intention.

The essay due today was moved to next week due too the timely absence of his language teacher, and the choir practice was beautiful.

Repetitive use of the word due, in the same sentence. It can be replaced.

But he had gone through these days before.

Seems a little too vague for me. You can add description here, as well as clarifying better for the reader. Ex: But he had gone through these seemingly perfect days before - he knew it would not last.

Something has to go wrong…

Mixed this in with the previous sentence. You should make an effort to combine such sentences, instead of letting them stand alone. Also, this sounds like the voice of the author. A narrative should read as narrative, and adding this to the previous sentence gives the clear implication that Aaron had the thought, not the author (you). Your voice should never be heard, or heard as little as possible. Tell the story through your characters.

“Um, yeah. I’d like to…to report an invasion of the school
High Charity by several um…armed hostiles.”


Try and replace the Um's. It doesn't sound realistic to me. He sounds merely hesitant, instead of scared to death.

Now, some more general things (and I'd consider this advice more important).

-Flesh out the scene some more, especially the personality of your characters. Add some dialogue before he spots the gunman - maybe with a girl Aaron is attracted to, or a good friend. This serves two purposes. Firstly, it helps draw a contrast between the everyday school scene and the sudden peril of the situation. Also, it gives you ability to let the reader have some insight into Aaron's character (through dialogue, which is good). The last thing you want to do is have to insert your voice and describe your characters - dialogue and actions should be sufficient.

-Possibly add some action before and after dialogue. I'd say most of the dialogue is fairly realistic, which is good. However, it could use more description. For example, when Aaron is talking to the 911 operator, it seems a bit empty. Add, for example,

“3269, St. John Avenue.” He was barely able to stammer out the answer. A bead of sweat had formed on his forehead, and he could feel his hands shaking.

What I added gives you a view of what Aaron is feeling, and the overall tension of the situation.
Try to do that for parts where there's alot of dialogue, but a lack of action that accompanies it.

To help with this, try to imagine you and your friends together. Obviously, you don't stand like statues and talk. Maybe one of your friends is tapping his foot, waving to a girl, looking at the trees. Add things like that to improve the realism of the story, and to flesh out the characters. (The guy tapping his foot as he talks could be a sign of hesitancy, or boredom).

Another thing is to try and add Aaron's thoughts of other people. Throughout the story, it seems like a very lonely stage play between the captors and Aaron. I'm sure someone in this situation would think of their girlfriend, parents, best friend, etc. Does he see anyone in the room that he's afraid for? Little things like that can go a long way in improving the story.

Also, if you want to read some books to get a sense of writing, here's a few I would recommend.

-The classics (these are always good to start with).

-Stephen King's On Writing Short and to the point. Further, it's done by an author who has achieved success on quite a level.

-Ethan Canin - I really enjoy his writing style. It's descriptive, but not in a tiring way. He has a incredible sense of how to influence the reader's emotions and set the feeling of the book.

-Ernest Hemmingway - His style, in contrast to Canin's, is simple and powerful. He's pretty much become a staple of any reader. Unique, simple, yet deeply expressive in his themes. Very hard to do.

Harry Potter - Yeah, I'm recommending this. Despite whatever else is wrong with Rowling's adverbs, she's an amazing writer. Her plot moves along so smoothly it's shocking. You don't even notice her problem with adverbs, because you're enjoying the plot/story so much. You can learn something from this, even if alot of people who are more rooted in the classics don't like it.

Some basic rules of writing (rules are meant to be broken, though, so don't be afraid to break them if you have a purpose in mind).

-Avoid complex identifiers. When you put in "said, asked, muttered, questioned" that is your voice. Readers don't want that. Said is the most commonly used identifier, and it's fine. Most people have a tendency to skip over it, which is what you want. I'm not discouraging you to use variety, but avoid things like "harrumphed." It sounds horrible. Ex:

"No," he harrumphed.

It simply breaks up the flow of the story. And no, contrary to popular belief from beginning writers, variety in this case is not good. Stick to things like said, muttered, questioned, asked, etc. You can show tone through actions. Ex:

"No, mom." Aaron kicked up dust, not meeting his mom's eyes.

I think you can get a pretty clear idea of the tone here, without me having to resort to any complex identifier.

-Don't insert your voice when describing your characters. Characters should be described through their actions, speech, interactions, feelings, etc.

-Avoid adverbs tacked on to the end of speech.

"No," he said carelessly. You're telling us how he spoke. Don't tell, show.

Ex:

"No," Aaron replied. He continued shuffling the papers on his desk, not bothering to look up.

-Don't tell, show. A pretty much basic rule for any writer.

-You have to get your characters there legitimately. A novel should be planned out, but the way you get to the end has to feel and sound real. For example, if, in the end, you want your main character dating the heroine, then you have to plan a legitimate journey there. You can't simply have Bob call up Jane one day and ask "Will you marry me?" and expect Jane to say yes. That would destroy suspension of disbelief in your readers - in other words, it wouldn't sound realistic. Plan out your novel, but also get an idea of how you want to get to the end.


Overall, I liked it. It's interesting and kept my attention. I hope some of what I said helps you. Looking forward to reading more =]
 
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