FINAL SUBMISSION
Lillighast
I truly believe that this name fits the design more than any other. With the name, I wanted to try and embody the duality of the CAP: its cuteness and its ghoulishness; its daintiness and its viciousness; its flowering vitality and its channelling of the undead. I therefore wanted a name that strongly alluded to the femininity of the design, but, in its overall impact, placed more emphasis on its darker side.
Whilst the design itself does indeed lack any obvious flower motif – although the organic curves of its hair and arms do strongly resemble certain petal structures – I decided to represent the design’s femininity with reference to the lily. The symbolic nature of the lily is obvious; traditionally, it has been used to represent purity, virtuosity, delicacy, decorativeness and elegance, all traits associated strongly with femininity. There is even a biblical reference buried here: ‘Consider the lilies of the field, how they grow; they toil not, neither do they spin’ (Matthew 6:28) is a verse that describes lilies as entirely passive flowers, the idea that they do not ‘toil’ evoking a sense of harmlessness in appearance. However, even with the sense of harmlessness constructed here, there is still a faint sense of unease conjured by the image of the lily: these are flowers that, traditionally, have been used in western funeral arrangements.
The second part of the name expands on the funereal image of the lily by evoking a very sudden, and very strong, sense of horror and unease. By relating to the emotional intensity of being ‘aghast’ I anticipate the emotional reaction of the reader, whilst the relation to the ghoulish ‘ghast’ creatures, which appear in a wide array of literature and videogames, affirms the demonic and monstrous nature of the design. The sense of passive harmlessness conjured by the lilies, as they do not ‘toil’, is destroyed by the violent strength of ‘aghast’. The name ‘Lillighast’, then, is therefore formed from ‘lil–aghast’ or ‘lily–ghast’, with spelling adapted to keep it visually pleasing (the ‘h’ in ‘ghast’, while initially seeming clunky, was kept to maintain the jolting suddenness of the final syllable).
The impact of the name as a whole therefore matches my intention, with it initially evoking a sense of femininity with ‘Lilli’ whilst the metric pattern of stresses (the name as a whole forms an anapaest) places more syllabic emphasis on ‘ghast’, leaving the reader with a ghastly taste in his mouth that overpowers its overall cuteness (part of the intention, I’m sure, of the design).
also the name's resemblance to lilligant is purely coincidental lol what are you talking about