All of the good Art Thread Titles were taken

Heyo Smogonites! I've been lurking about for a bit, but I've always wanted to post here in Smeargle Studio, so now might as well be as good of a time as any! It'd be very much appreciated to get some feedback on my artwork and how to improve it, or any suggestions like that.

Thanks for taking a look at my art thread, and enjoy!

serperior smaller.png


electabuzzzzzzz-smaller-png.51054


feraligatr smaller.png


scolipeded smaller.png

lapras and ghastly smaller.png

scolipeded smaller.png feraligatr smaller.png serperior smaller.pnglapras and ghastly smaller.pngscolipeded smaller.pngferaligatr smaller.pngserperior smaller.png
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Oh, and I take requests.
 
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oh right finally remembers to post here

You've got some good images in here, and all four shows how you've got the basics down well with plenty of experimentation with poses and effects. Your work reminds me of Blue Frog 's early days, so he could maybe offer you some pointers.

With that said, there are some details here and there that sort of breaks the illusion of each scene. For instance, the wave doesn't seem to be crashing into Feraligatr and is just as high and intense across the whole image, so having the water split up further around Fera to show how the wave splits could be one way to make the image more intriguing (assuming that's a wave). And while Serperior's body is long enough to have its neck and tail connect effortlessly outside the image borders, showing its neck going straight down still creates the illustion that its body isn't comfortable off screen, so drawing it slightly leaning to our right could accomodate this a bit. And lastly, while you did the shoulders justice on the Feraligator, the arms seems pretty much bolted onto the Electabuzz, where they're practically sticking straight out of the body with no shoulder to connect to the body.

But, this will come in practise and studying the work of other artists who has advanced futher than you. I didn't critique anything in particular in the Scolipede pic, because honestly, that's the best picture in this thread so far. Consistent light source, nice background to accomodate it, and just overall a soothing drawing to look at.

Keep up the good work.
 
Hi! I got the tag from Bummer and thought I might pop in for a bit. Your art is pretty great already (a lot better than my early stuff) so I don't have too much to say.

My main point of advice is that there should be a balance between lineart and painting styles. Both can work great on their own, but when mixed they tend to muddle each other. This is because lines suggest a sharp, cartoonish style while painting suggests a more subtle, realistic one. Generally, if you have thick lines you should stick to sharper cel-shading, and as your lines get thinner you can start painting more. Your Feraligatr piece, for example, has really sharp shading and looks great because of it—the shading works with the thick lines. The Serperior, on the other hand, has really thick lineart but blurred, painted shadows without a lot of contrast, making it look flat and murky. The dark lines contribute to the flatness of the piece because they are so defined compared to the subtle shading. I see the same problem on your Electabuzz piece. The Scolipede piece strikes a happy medium between the two styles because it has enough contrast to define the forms and the thin lines don't overpower the shading (and vice versa), so I would definitely encourage you to emulate that for future pieces.

Next, you seem to have this down for the most part, but you could work on your proportions a bit. Your Electabuzz, especially, looks a bit strange—the eyes should be lower and as Bummer said the anatomy with the arms could be improved. Don't be afraid to use references from the Internet, as well as (if you have the 3DS games) the 3D models in the Pokedex. Also, if you are going to use colored lineart I would suggest coloring the lines with respect to the shading, making the lines darker in dark spots and lighter in light spots. You could also work on lighting in general; most of your pieces have inconsistent light sources, although I do admire how you've experimented with different ones.

Overall, as Bummer said, practice. Don't be afraid to experiment but try to make the pieces more cohesive, instead of mixing different styles together that end up clashing. Try eliminating lines together and simply painting. I'm not really an authority on any of this since I'm still learning too, but don't be afraid to ask around and check out other artists' work. I hope you stick around!
 
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Hey you two, thank you so much for the critique, it really means a lot to get feedback like that with so much detail in it. I'll definitely be trying to work on it!

Anyways, here's a quick 45-minute draw I did. I'd do more with the Ghastly if I had the time, but I was limiting myself to 45 minutes.

lapras and ghastly smaller.png
 
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