Reminder that localizations (well, none bootleg ones) do not operate in a vacuum
4kids would have to get approval from Nintendo America/Nintendo Japan/Pokemon Company AND also get approval for FCC standards. It wasn't exclusively them either (Saban, Nelvana, DiC, Studiopolis, Cloverway, etc), it's just digital editing got more accessible after late 90s, one of the first being from Funimation for the 1995 Dragon ball dub
Similarly there's the issue of music copyright cuz TV Tokyo even now is a b-, so music would be replaced generally to not lose profits, runtime being 20-21 min instead of OG 22-23 so something needs to be cut or sped up. Localization edits like food is strictly to maximize on global audiences, archaic/potentially xenophobic as it is, though requested from the Japan franchise holders themselves
You are right for lack of materials/context, so early edits can get contradicted later (ex. Brock's dead mom), or worse, dubbers get earlier work and use that (See, Latios movie), even though Japan has a later more refined one. Stuff generally was translated/localized on an immediate ep by ep basis, as to maintain a regular schedule, while stuff would take roughly half a year to 1 year to negotiate licensing with the head franchise owners. Contracts need to be renewed yearly, which is why in 2005 4kids stopped for Pokemon; TCPi wanted more control, and 4Kids wasn't making much anymore to sustain themselves with how many dubs were under their belt
Unfortunately the internet just thinks dubs do willy nilly no supervision, then act anal and fling misinfo cuz it's easy to, ignoring that they broadcast on a public none cable network, or is used for base in other country dubs. Most dubbing companies didn't have a strong hand in home media releases either (the exception is Funimation) and thus didn't make separate uncut dubs, so most died if they didn't have a popular hit work, or just focus on other endeavors (Nelvana already being an animation company, vs ADV being dead). 4kids is the most known due to One Piece's outrage and lasting till 2012 on public TV. Even though Funimation started similarly in heavily censoring content
With streaming you'd think these practices no longer matter, but they still happen. Just not as severe
4kids would have to get approval from Nintendo America/Nintendo Japan/Pokemon Company AND also get approval for FCC standards. It wasn't exclusively them either (Saban, Nelvana, DiC, Studiopolis, Cloverway, etc), it's just digital editing got more accessible after late 90s, one of the first being from Funimation for the 1995 Dragon ball dub
Similarly there's the issue of music copyright cuz TV Tokyo even now is a b-, so music would be replaced generally to not lose profits, runtime being 20-21 min instead of OG 22-23 so something needs to be cut or sped up. Localization edits like food is strictly to maximize on global audiences, archaic/potentially xenophobic as it is, though requested from the Japan franchise holders themselves
You are right for lack of materials/context, so early edits can get contradicted later (ex. Brock's dead mom), or worse, dubbers get earlier work and use that (See, Latios movie), even though Japan has a later more refined one. Stuff generally was translated/localized on an immediate ep by ep basis, as to maintain a regular schedule, while stuff would take roughly half a year to 1 year to negotiate licensing with the head franchise owners. Contracts need to be renewed yearly, which is why in 2005 4kids stopped for Pokemon; TCPi wanted more control, and 4Kids wasn't making much anymore to sustain themselves with how many dubs were under their belt
Unfortunately the internet just thinks dubs do willy nilly no supervision, then act anal and fling misinfo cuz it's easy to, ignoring that they broadcast on a public none cable network, or is used for base in other country dubs. Most dubbing companies didn't have a strong hand in home media releases either (the exception is Funimation) and thus didn't make separate uncut dubs, so most died if they didn't have a popular hit work, or just focus on other endeavors (Nelvana already being an animation company, vs ADV being dead). 4kids is the most known due to One Piece's outrage and lasting till 2012 on public TV. Even though Funimation started similarly in heavily censoring content
With streaming you'd think these practices no longer matter, but they still happen. Just not as severe