Man you actually put my feelings towards Tarantino very well into wordsI can't stand Quentin Tarantino. As a director, he's an A grade but as a writer he's C-. The problem I think is that he surrounds himself with ass kissers and other yes men who say how high when he tells them to jump, and no one's got the balls to tell him when he's being an idiot. And it doesn't matter how smart you are, not every single idea you have is going to be a good one. Only film he's ever done that I genuinely like is Pulp Fiction.
Kill Bill is a film that perfectly sums up my problems with him.
She survives getting beaten half to death and shot through the head...somehow. That scene is shown in black and white for no reason (agree with above poster on that kind of stuff). Other flashback scenes are shown in colour, so not sure why that one had to be in black and white. Oh, and one is in a pseudo anime art style...why? She's in a coma for 4 years, yet has no scars, muscle wastage or brain damage and is left completely unguarded despite being a victim of attempted murder (and an extremely grisly one at that). One of her old assassin friends tries to finish the job, but then Bill has a last minute change of heart and she goes along with it, because otherwise we wouldn't have a movie. She gets woken up by some random guy who runs a side business where people rape unconscious people in the hospital trying to force himself on her (because you know, we needed more shock value).
And we basically meander along to Japan (or what an American who's never been to Japan thinks Japan is like). OK, seriously Quentin, in what universe does a man love a council of criminals "more than his own children." When I first heard that, I was like "damn you must really hate your children." And the bride triumphs just like we all knew she would, because we've already seen her killing name no.2 on her list. Why the fuck did they do that? I've got no problem with films showing events out of order (Memento does that brilliantly), but here all it does is take all the tension out of the fight scenes because I already know she's going to win.
Additionally, it feels like Tarantino often has certain scenes he wants to get to but not how to arrive there naturally. Kill Bill 2 is a good example. He wanted Beatrix to escape being buried alive. The way he took to get there was unnatural and unfitting. Somehow we are meant to believe that this killing machine of a woman would without much thought break into a house, strike a pose with her sword and get shot (but obviously not with bullets but with salt, because again, we need her to get buried alive). That bothers me a lot and it always takes me out
Also, even when he's good, he's not that good. I can't critize anything about Pulp Fiction, but you can't tell me that this movie is some sacred piece of film. It's also so dumb with it's religious meaning. Oh wee the code to the case is 666, how smart